In this article, we will explore the impact of Ryukyuan pottery on different aspects of society. From its influence on popular culture to its relevance in history, Ryukyuan pottery has left an indelible mark in various spheres of life. Over the years, Ryukyuan pottery has been the subject of debate and analysis, generating all kinds of opinions and theories. Through this study, we seek to shed light on the importance of Ryukyuan pottery and its role in shaping the world as we know it. By exploring its implications and consequences, we hope to delve into the complexity of Ryukyuan pottery and its lasting influence.
Ryukyuan pottery (琉球焼, or Okinawan language: 焼物 ; Yachimun) include earthenware and stoneware items that are traditionally made on the Ryukyu Islands in east Asia.
Ryukyuan pottery first appeared during the Gusuku period (c. 1100s-1400s), when it was introduced from China.
Tsuboya became the centre of production in 1682 after the kilns of Chibana, Wakuta, and Takaraguchi were consolidated under the Ryukyu Kingdom government. The two sub-types of Tsuboya ware were the generally unglazed Ara-yachi and the glazed Jō-yachi.
Most of the kilns had to move out of Tsuboya after the end of the Pacific War due to the smoke they produced. Production moved to the villages of Yuntan (読谷村) and Ujimi (大宜味村) and they continued the tradition of Yachimun.
In addition to dishes, vessels, and roof tiles, Ryukyuan pottery is especially known for the production of funerary urns, and shisa, lion-like guardians placed on rooftops and at gates to protect homes and other spaces from evil spirits.
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