Sarah Y. Mason
This article will address the topic of Sarah Y. Mason, which has gained relevance in recent years due to its impact on different aspects of society. From Sarah Y. Mason has marked a before and after in the way we relate, to its influence in the economic and political sphere, this topic has sparked great interest and debate among experts and citizens alike. Along these lines, the origin, evolution and repercussions of Sarah Y. Mason will be analyzed, offering a detailed look at its present and future implications and challenges.
Sarah Y. Mason | |
|---|---|
 Mason in 1920 | |
| Born | Sarah Yeiser Mason March 31, 1896 |
| Died | November 28, 1980 (aged 84) Los Angeles, California, U.S. |
| Occupation | Screenwriter |
| Years active | 1918–1949 |
| Spouse | |
| Children | 2 |
Sarah Y. Mason (March 31, 1896 – November 28, 1980) was an American screenwriter and script supervisor.
Biography
Mason was born Sarah Yeiser Mason in Pima, Arizona. She and her husband Victor Heerman won the Academy Award for best screenplay adaptation for their adaptation for the 1933 film Little Women, based on the novel by Louisa May Alcott.
After that success, she and Heerman were the first screenwriters involved in early, never-produced scripts commissioned for what would become MGM's Pride and Prejudice (1940 film). Mason's career is also notable as she was the very first script supervisor in Hollywood, having invented the craft of film continuity when the industry switched from silent film to talkies.
She and Heerman married in 1921. She died at age 84 in Los Angeles and was cremated. Victor and Sarah had two children, Catharine Anliss Heerman, an artist and teacher of art in Southern California who was previously married to record producer Lester Koenig; and Victor, Jr., a successful breeder of thoroughbred racehorses. The Academy Award for Little Women remains with the family.
Partial filmography
- Arizona (1918) (continuity)
- Bound in Morocco (1918) (continuity)
- The Poor Simp (1920) (scenario)
- Held In Trust (1920) (scenario)
- The Chicken in the Case (1921)
- A Divorce of Convenience (1921)
- The Girl from Nowhere (1921)
- Modern Matrimony (1923)
- Backstage (1927)
- Cradle Snatchers (1927) (scenario)
- The Broadway Melody (1929) (continuity)
- Alias Jimmy Valentine (1928) (continuity)
- Little Women (1933) (screenplay)
- The Age of Innocence (1934) (screenplay)
- Imitation of Life (1934) (uncredited)
- The Little Minister (1934) (screenplay)
- Break of Hearts (1935) (screen play)
- Magnificent Obsession (1935) (screenplay)
- Stella Dallas (1937) (screenplay)
- Golden Boy (1939) (screenplay)
- Pride and Prejudice (1940) (uncredited)
- Meet Me in St. Louis: 1944 (uncredited)
- Little Women (1949) (screenplay)
- A Girl, a Guy, and a Gob (1941) (uncredited)
- Magnificent Obsession (1954) (based upon the screenplay by)
References
- ^ Vazzana, Eugene Michael (2001). Silent Film Necrology. McFarland, ISBN 9780786410590
- ^ Looser, Devoney (2017). The Making of Jane Austen. Baltimore, MD: Johns Hopkins University Press. p. 130. ISBN 978-1421422824.
- ^ Schallert, Edwin (February 4, 1929). Wow of a sound film on screen. Los Angeles Times
- ^ Staff report (April 7, 1929). Rivoli To Have 'Fancy Baggage.' Baltimore Sun
- ^ The Official Tumblr of the Academy of Motion Picture Arts & Sciences. "Sarah Y. Mason Seen Here at the Typewriter
- ^ "Biography: Catharine Aanliss Heerman(February 5, 1922 - April 4, 2007) by John Koenig November 24, 2007
- ^ Daily Racing Forum: "Heerman, prominent bloodstock agent, dies at 89" July 11, 2014
External links
- Sarah Y. Mason at IMDb
- Sarah Y. Mason at the Women Film Pioneers Project
| International | |
|---|---|
| National | |
| Other | |
