Satanella (Balfe)

In this article, we will explore Satanella (Balfe) in depth, examining its impact on society and its relevance today. Satanella (Balfe) is a topic that has generated great interest in different areas, from science to popular culture. We will analyze its evolution over time, as well as its influence on different aspects of daily life. In addition, we will examine the different perspectives and opinions that exist around Satanella (Balfe), with the aim of offering a complete and balanced view on this topic. Read on to discover more about Satanella (Balfe) and its relevance in the contemporary world.

English-language opera in four acts by Michael William Balfe

Satanella
Opera by Michael William Balfe
Balfe, by Nadar
Librettist	A. Harris and Edmund Falconer
Premiere	20 December 1858 (1858-12-20) Royal Opera House, Covent Garden

Satanella is an English-language opera in four acts by Michael William Balfe, written to a libretto by A. Harris and Edmund Falconer, and premiered at Royal Opera House, Covent Garden, 20 December 1858. It was the first opera to receive its world premiere at the newly-rebuilt theatre.

Recordings

• Satanella – Victorian Opera Northwest: Sally Silver (soprano); Catherine Carby, Christine Tocci, Elizabeth Sikora (mezzo-sopranos); Kang Wang (tenor); Quentin Hayes, Anthony Gregory, Frank Church (baritones); Trevor Bowes (bass); Victorian Opera Orchestra and John Powell Singers, Richard Bonynge conducting NAXOS 8.660378-79

References

1. ^ Dall Wilson, Alice Nielsen and the Gayety of Nations (2016) 0557473675, p. 323: "... could we miss Alice Nielsen in her first big hit: playing a charming Satanella in Balfe's Satanella. His opera was also called The Power Of Love, a 19th-century hit with very Broadway-style dialog and songs."

External links

• Satanella (Balfe): Scores at the International Music Score Library Project