In this article, we will explore the impact of Science fiction theatre in different contexts and situations. From its influence in the technological field to its effects on contemporary society, Science fiction theatre has proven to be a topic of great relevance and significance. Throughout history, Science fiction theatre has played a crucial role in shaping the world we live in, and its importance continues to be the subject of debate and reflection in various fields of knowledge. Through a detailed and comprehensive analysis, we will examine the many facets of Science fiction theatre and its impact on the present and future.
Science fiction theatre includes live dramatic works, but generally not cinema or television programmes. It has long been overshadowed by its literary and broadcast counterparts, but has an extensive history, and via the play R.U.R. introduced the word robot into global usage.
Background
Ralph Willingham in his 1993 study Science Fiction and the Theatre catalogued 328 plays with sf elements, several of which were adaptations. Christos Callow Jr created the Internet Science Fiction Theatre Database in 2018 including mainly 21st century plays that feature elements of science fiction, fantasy and horror. In addition to productions of individual plays, the science fiction theatre festival Sci-Fest LA was launched in Los Angeles in 2014, and the festivals of Otherworld and Talos: Science Fiction Theatre Festival of London were both launched in 2015 in Chicago and in London, UK respectively.
Dr. Jekyll and Mr. Hyde an unauthorised adaptation of Robert Louis Stevenson's novella The Strange Case of Dr Jekyll and Mr Hyde by John McKinney, 1888
Dr. Jekyll and Mr. Hyde, Or a Mis-Spent Life adapted from Robert Louis Stevenson's novella The Strange Case of Dr Jekyll and Mr Hyde by Luella Forepaugh and George F. Fish, 1897
There is generally little research on science fiction theatre, but a notable exception is "Science Fiction and the Theatre" by Ralph Willingham and the international conference series on science fiction theatre, "Stage the Future." Contemporary dramatic science fiction scholar Dr. Ian Farnell, examines how science fiction narratives, themes and images have emerged as an evolving dramatic strategy for engaging twenty-first century critical discourse. His work discussing portrayals of A.I. and robotics in caregiving and medical settings, highlights the importance of continued inquiry into the challenges presented by science fiction works, and the unique possibilities for staging and intervening upon these issues through the medium of theatre. Other research projects include the Robot Theatre project by Louise LePage.