In this article, we will explore the impact of Sculptor squirrel on various aspects of contemporary society. From its influence on popular culture to its importance in academia, Sculptor squirrel has left an indelible mark on the way we live, think, and relate. Since time immemorial, Sculptor squirrel has been the object of fascination and debate, generating multiple interpretations and reflections. Through a detailed and multidisciplinary analysis, we will try to unravel the mysteries and meanings that Sculptor squirrel contains, and how it has shaped our history and our expectations for the future.
| Sculptor squirrel | |
|---|---|
| Scientific classification | |
| Kingdom: | Animalia |
| Phylum: | Chordata |
| Class: | Mammalia |
| Order: | Rodentia |
| Family: | Sciuridae |
| Subfamily: | Callosciurinae |
| Genus: | Glyphotes Thomas, 1898 |
| Species: | G. simus
|
| Binomial name | |
| Glyphotes simus Thomas, 1898
| |
The sculptor squirrel or Bornean pygmy squirrel (Glyphotes simus) is a species of rodent in the family Sciuridae. It was described by Michael Rogers Oldfield Thomas in 1898. It is monotypic within the genus Glyphotes.[2] It is endemic to northern Borneo in Sabah and Sarawak (Malaysia) and inhabits areas elevated at 285–1,800 metres (935–5,906 ft).[1]
The body is 95 to 145 millimetres (3.7 to 5.7 in) long, and the tail length is approximately 100 mm. The chest, undersurface, sides of the nose, margins of the ears and dorsal surface of the digits are yellow, whereas the tip of the tail is black.[3]