Shallow focus
In this article, we will explore the fascinating world of Shallow focus, a topic that has captured the attention of many people over time. From its origins to the latest research and trends, we'll dive into a detailed analysis of Shallow focus and everything it encompasses. Throughout these pages, we will discover the many facets and perspectives related to Shallow focus, as well as the opinions and experiences of experts in the field. We will address its impact on society, its possible implications for the future and the possible practical applications that could be derived from its study. Get ready to embark on an exciting journey of discovery about Shallow focus and everything that surrounds it.
Shallow focus is a photographic and cinematographic technique incorporating a small depth of field. In shallow focus, one plane of the scene is in focus while the rest is out of focus. Shallow focus is typically used to emphasize one part of the image over another.[1] Photographers sometimes refer to the aesthetic quality of the unfocused area(s) as bokeh.[2]
The opposite of shallow focus is deep focus, in which the entire image is in focus.
Overview
Shallow focus has become more popular in the 2000s and 2010s. It is also a means by which low budget filmmakers use to hide places that would require expensive props. It is often proclaimed by some to being a way to avoid the "video look." Extremely shallow focus – sometimes called bokeh porn[3] – made its debut in cinematography in 2008 with the release of the Canon EOS 5D Mark II and the start of DSLR cinematography.
Details
The effect can be obtained by a larger aperture, a close viewpoint, a larger image sensor or a longer focal length lens from a smaller distance. A tilt lens can be used, in the opposite way to that used to increase depth of focus.
There are even adapters that allow lenses from 35 mm cine cameras to be used on smaller film and digital formats.
Examples
In the film The Rules of the Game (1939), a couple flirts in the foreground while the woman's husband enters in the background. Director Jean Renoir chose to keep the husband out of focus so that his presence is hinted, but not emphasized.
See also
References
- ^ Mamer, Bruce (2013-05-30). Film Production Technique: Creating the Accomplished Image. Cengage Learning. pp. 19–20. ISBN 978-1285712567. Retrieved 2014-12-04.
- ^ Allen, John RS (2013-07-25). "The Bokeh Effect". A Beginners' Guide to Ghost Hunting. Autharium. ISBN 978-1780258225. Retrieved 2014-12-04.
- ^ Anne Helmond (March 13, 2011). "Video Vortex: Florian Cramer 'Bokeh is a form of visual fetishism, it is not avant-garde but porn'".
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