In this article, we will explore the impact of Shide (monk) in different contexts and situations. From its influence on society to its relevance in the professional field, Shide (monk) has proven to be a topic of great interest and debate. Throughout these pages, we will analyze its origin, evolution and possible future implications, with the aim of providing a complete and updated vision of Shide (monk). By collecting data, testimonials, and expert opinions, we hope to shed light on this topic and offer an enriching perspective for our readers.
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Shide (Chinese: 拾得; pinyin: Shídé; Wade–Giles: Shih-Te; lit. 'Pick-up or Foundling', fl. 9th century)[1] was a Tang dynasty Chinese Buddhist poet at the Guoqing Temple on Mount Tiantai on the East China Sea coast; roughly contemporary with Hanshan and Fenggan, but younger than both of them. As close friends, the three of them formed the "Tiantai Trio". Shide lived as a lay monk, and worked most of his life in the kitchen of Guoqing Temple.

An apocryphal story relates how Shide received his name: Once, Fenggan was travelling between Guoqing Temple and the village of Tiantai, when at the redstone rock ridge called 'Red Wall' (赤城) he heard some crying. He investigated, and found a ten-year-old boy who had been abandoned by his parents; and picked him up and took him back to the temple, where the monks subsequently raised him.[2]
Shide is referred to as Jittoku in Japanese.
Iconographically Shide is depicted with a broom, depicting insight and skillful means to remove the appearance of dust from the mundane world.[3]
Shide wrote a number of poems, 49 of which have survived. According to Xiang Chu in his book Cold Mountain Poems and Notes,[4] there are 57 poems attributed to Shide. Shide's poems are short, and rarely exceed 10 lines. They are typically on a Buddhist subject and executed in a style reminiscent of Hanshan's.