In this article we are going to analyze Sinfonia in depth, exploring its different aspects and possible implications. Sinfonia is a topic that has captured the attention of many in recent years, and its relevance and impact cannot be underestimated. Throughout these pages, we will examine Sinfonia from various perspectives, from its origins to its present day, including its possible future evolutions. We will address both its most positive aspects and the challenges it poses, with the aim of offering a complete and balanced view of Sinfonia. We hope that this analysis contributes to enriching knowledge on this topic and fostering a constructive debate around it.
The opening movements of cantatas BWV 31 and BWV 182 are named "sonata" and the first movement of cantata BWV 106 "sonatina".Sinfonia in D major, BWV 1045 is considered a sinfonia of a lost cantata, because its manuscript indicates that the piece had four vocal parts.
Symphony with an alternative scope
Examples of such "sinfonias" composed after the classical era include:
Vincent d'Indy wrote a Sinfonia brevis de bello Gallico, Latin for: "Short Symphony about the War in Gaul".[citation needed]
Kennedy, Michael. "Sinfonia". The Oxford Dictionary of Music, 2nd edition, revised, associate editor, Joyce Bourne. Oxford and New York: Oxford University Press, 2006. ISBN978-0-19-861459-3.
Lotha, Gloria, and the Editors of the Encyclopædia Britannica. N.d. “Sinfonia”. Encyclopædia Britannica online edition
Marcuse, Sibyl. Musical Instruments: A Comprehensive Dictionary, corrected edition. The Norton Library. New York: W. W. Norton & Company, 1975. ISBN0-393-00758-8.
Randel, Don (ed.). The New Harvard Dictionary of Music. Cambridge, Massachusetts: Harvard University Press, 1986. ISBN0-674-61525-5.