In today's world, Soft Samba is a topic that has captured the attention of many people. From its impact on society to its influence on popular culture, Soft Samba has become a common topic of conversation around the world. With the rapid advancement of technology and increasing globalization, Soft Samba has acquired a significant role in people's daily lives. This article will take a closer look at the impact of Soft Samba on different aspects of society and explore how it has shaped the world we live in. Through detailed analysis, we aim to shed light on the many aspects of Soft Samba and how it has evolved over time.
| Soft Samba | ||||
|---|---|---|---|---|
| Studio album by | ||||
| Released | March 1965 | |||
| Recorded | June 15 and 16, September 3 & October 7, 1964 | |||
| Studio | Van Gelder Studio, Englewood Cliffs, New Jersey | |||
| Genre | Jazz | |||
| Length | 28:57 | |||
| Label | Verve - 8603 [1] | |||
| Producer | Creed Taylor | |||
| Gary McFarland chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic | |
Soft Samba is a 1964 album by jazz arranger and vibraphonist Gary McFarland. A follow-up album, Soft Samba Strings, was released in 1966.[2]
The initial Billboard magazine review from February 20, 1965 wrote that even though "A pair of stretch socks, two ounces of sherry, and a "Soft Samba" cocktail recipe" were being used to promote the album, it would "curry favor with the public without the promotion incentives" and "The artist's humming helps too".[3] Boys' Life magazine wrote that "You'd think that the artists in this album couldn't talk because all you hear is "Ba-ba, baya-baya, byu-byu" and so on with little relief. The results are unique (as you'd expect) but pleasing...We found the wedding of the soft samba to rock 'n' roll a joyous union thanks to the musical ministry of Mr. McFarland".[4]