Sol Marcus

This article will address the topic of Sol Marcus, which has gained great relevance in recent years. Since its origins, Sol Marcus has sparked countless opinions and debates that have polarized society. This is why it is of utmost importance to analyze this phenomenon in depth and objectively, to understand its implications in various areas, from the social to the economic. Likewise, the impact of Sol Marcus in different cultural contexts will be explored, as well as the possible future perspectives that could arise from its evolution. Through reflection and critical analysis, we will seek to shed light on the various facets of Sol Marcus, in order to foster a constructive and enriching debate on this topic.

Sol Marcus (October 1, 1912 – February 5, 1976) was an American songwriter and pianist.

Born in New York City, he began working as a songwriter with Bennie Benjamin and Eddie Seiler (1911–1952) in the mid-1930s. He had his first writing successes with "I Don't Want to Set the World on Fire" (1941), co-written with Benjamin, Seiler, and Eddie Durham, and "When the Lights Go On Again (All Over the World)" (1942), co-written with Benjamin and Seiler. Later in the 1940s, he had further success with "Till Then" (1945), a hit for The Mills Brothers co-written with Seiler and Guy Wood; and "Ask Anyone Who Knows", written with Seiler and Al Kaufman for The Ink Spots.

He re-established a writing partnership with Bennie Benjamin in the mid-1950s. They wrote "Fabulous Character" for Sarah Vaughan, and "Lonely Man" for Elvis Presley. In 1964, Marcus and Benjamin wrote "Don't Let Me Be Misunderstood" with Horace Ott, whose songwriting credit was taken by his wife Gloria Caldwell because Ott, as a BMI member, was not permitted to work with ASCAP members such as Marcus and Benjamin. The song was first recorded by Nina Simone, and was later a hit for The Animals, Santa Esmeralda, and Elvis Costello.

Marcus died in 1976 in Linden, New Jersey.

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