In this article we will analyze the impact of Something for Everybody (Baz Luhrmann album) in today's society, exploring its implications in different areas. Something for Everybody (Baz Luhrmann album) has been the subject of research and debate in recent years, and its influence is evident in areas such as technology, politics, culture and economics. Through this analysis, we will seek to understand the extent to which Something for Everybody (Baz Luhrmann album) has transformed our way of thinking, interacting and living in the contemporary world. Likewise, we will examine the challenges and opportunities that Something for Everybody (Baz Luhrmann album) presents for the future, taking into account the diverse perspectives and opinions on the matter.
This article needs additional citations for verification. (December 2013) |
Something for Everybody | |
---|---|
Studio album by | |
Released | 24 March 1998 |
Recorded | 1997–1998 |
Genre | Pop, dance, spoken word |
Length | 63:37 |
Label | EMI |
Producer | Baz Luhrmann |
Singles from Something for Everybody | |
|
Something for Everybody is an album released by Baz Luhrmann in 1998. It contains new ambient versions (either newly recorded or remixed) of music from his films and plays, including hits from William Shakespeare's Romeo + Juliet, Strictly Ballroom and La bohème. The most popular single from the album is the spoken word song "Everybody's Free (To Wear Sunscreen)".
Stephen Thomas Erlewine of AllMusic said of the album: "It's an unusual step to release a remix album based on a film director's work, but the endeavor actually works. A few songs sound a little uneasy, but many of the tracks have a dark, haunting beauty that makes Something for Everybody a fascinating listen."
Chart (1998–1999) | Peak position |
---|---|
Australian Albums (ARIA) | 14 |
Canadian Albums (Billboard) | 20 |
US Billboard 200 | 24 |
Review scores | |
---|---|
Source | Rating |
AllMusic |
Country | Date | Format(s) | Version | Label | Ref. |
---|---|---|---|---|---|
Australia | March 24, 1998 | Original | EMI | ||
Europe | 1999 | Reissue | |||
United States | Original | Capitol | |||
Canada |