In this article, we will explore the impact of Statue of Robert M. La Follette on various aspects of contemporary society. From his influence on popular culture to his relevance in politics and economics, Statue of Robert M. La Follette has left a significant mark on the modern world. Through detailed analysis, we will examine the multiple roles and facets that Statue of Robert M. La Follette has played in recent history, as well as its relevance in the current context. From its emergence onto the world stage to its evolution over the years, Statue of Robert M. La Follette has been a topic of constant interest and debate, and this article seeks to offer a comprehensive view of its impact on today's society.
Robert M. La Follette | |
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Artist | Jo Davidson |
Year | 1929 |
Medium | Marble sculpture |
Subject | Robert M. La Follette |
Location | Washington, D.C., U.S. |
Robert M. La Follette Sr. is a 1929 marble sculpture of Robert M. La Follette by Jo Davidson, installed in the United States Capitol, in Washington, D.C., as part of the National Statuary Hall Collection. It is one of two statues donated by the state of Wisconsin. The statue was accepted in the collection by Senator John J. Blaine on April 25, 1929.
In 1923, the sculptor Jo Davidson had met La Follette in Paris where the Senator had sat for a bust. In his autobiography Davidson records, “The bust that I had done at that time now stood me in good stead. it helped me bring back his warm and dynamic personality…….. La Follette had not particularly like the bust…and had remarked that it was too belligerent. Accordingly, I held back.” The work took Davidson four years to complete and is one of only a handful of statues in the collection that portrays the subject sitting down. Before it was placed in the Capitol the work was exhibited in a gallery in New York for two months.
Davidson's bust of La Follette now resides in the National Portrait Gallery in Washington, D.C.