In today's world, Stop and Listen is a topic that has captured the attention of people from all walks of life. With a significant impact on society, daily life and culture, Stop and Listen has emerged as a crucial topic of conversation today. From its influence on the way we communicate to its impact on the global economy, Stop and Listen has generated passionate debate and a range of divergent opinions. In this article, we will explore in depth the impact of Stop and Listen on our lives, examining its implications on a personal, social and global level.
| Stop and Listen | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | 1961 | |||
| Recorded | May 22, 1961 Van Gelder Studio, Englewood Cliffs | |||
| Genre | Jazz | |||
| Length | 49:32 | |||
| Label | Blue Note BST 84084 | |||
| Producer | Alfred Lion | |||
| Baby Face Willette chronology | ||||
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Stop and Listen is the second album by American jazz organist Baby Face Willette featuring performances recorded and released on the Blue Note label in 1961.[1] It features a version of the 1941 Harry Warren song "At Last," which at the time of the Stop and Listen recording sessions was on the R&B and Billboard Hot 100 record charts through Etta James' hit recording of the song.
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic | |
The Allmusic review by Steve Huey awarded the album 4½ stars and stated "With Blue Note's extraordinary stable of talent, it's a shame that Willette never led another session for the label, which makes Stop and Listen that much more essential for soul-jazz fans".[2]