In today's world, Stu Linder has become a topic of utmost importance and relevance in various spheres of life. Both on a personal and professional level, Stu Linder has generated a great impact and has aroused great interest in the public. There are numerous studies, research and debates surrounding Stu Linder, demonstrating its importance and the need to understand it in depth. In this article, we will explore different aspects related to Stu Linder, analyzing its influence on current society and its possible evolution in the future. In addition, we will reflect on the possible implications and consequences of Stu Linder in our daily lives, as well as in the development of various industries and sectors.
Stu Linder | |
|---|---|
| Born | Stewart Bridgewater Linder November 8, 1931 Geneva, Illinois, U.S. |
| Died | January 12, 2006 (aged 74) Ridgefield, Connecticut, U.S. |
| Occupation | Film editor |
| Spouse(s) | Cathy Fitzpatrick, Maureen O’Connor |
Stewart Bridgewater Linder (November 8, 1931 – January 12, 2006) was an American film editor with 25 credits.[1] He shared the Academy Award for Best Film Editing for the 1966 film Grand Prix (directed by John Frankenheimer), which was the first film on which Linder was credited as an editor.
Linder is particularly noted for his long collaboration (1982–2006) with the director Barry Levinson. Perhaps the best remembered film from their collaboration, extended over 20 films, was Rain Man (1988), which won the Academy Award for Best Picture. Linder won an ACE Eddie award for editing this film, and was nominated for both the Academy Award and the BAFTA Award for Best Editing.[2][3][4]
Linder died on January 12, 2006, of a heart attack, at the age of 74.[5]
The 2006 film Man of the Year starring Robin Williams is dedicated to Linder's memory. Stu was on location editing this feature when he died of a heart attack.[6] His co-editor, Blair Daily was the first on scene.[citation needed]
| Year | Film | Director | Notes |
|---|---|---|---|
| 1966 | Grand Prix | John Frankenheimer | Second collaboration with John Frankenheimer |
| 1968 | Blue | Silvio Narizzano | |
| 1975 | The Fortune | Mike Nichols | Fourth collaboration with Mike Nichols |
| 1980 | My Bodyguard | Tony Bill | First collaboration with Tony Bill |
| First Family | Buck Henry | ||
| 1982 | Diner | Barry Levinson | First collaboration with Barry Levinson |
| Six Weeks | Tony Bill | Second collaboration with Tony Bill | |
| 1984 | The Natural | Barry Levinson | Second collaboration with Barry Levinson |
| 1985 | Code Name: Emerald | Jonathan Sanger | |
| Young Sherlock Holmes | Barry Levinson | Third collaboration with Barry Levinson | |
| 1987 | Tin Men | Fourth collaboration with Barry Levinson | |
| Good Morning, Vietnam | Fifth collaboration with Barry Levinson | ||
| 1988 | Rain Man | Sixth collaboration with Barry Levinson | |
| 1990 | Avalon | Seventh collaboration with Barry Levinson | |
| 1991 | Bugsy | Eighth collaboration with Barry Levinson | |
| 1992 | Toys | Ninth collaboration with Barry Levinson | |
| 1994 | Quiz Show | Robert Redford | |
| Disclosure | Barry Levinson | Tenth collaboration with Barry Levinson | |
| 1996 | Sleepers | Eleventh collaboration with Barry Levinson | |
| 1997 | Wag the Dog | Twelfth collaboration with Barry Levinson | |
| 1998 | Sphere | Thirteenth collaboration with Barry Levinson | |
| 1999 | Liberty Heights | Fourteenth collaboration with Barry Levinson | |
| 2000 | An Everlasting Piece | Fifteenth collaboration with Barry Levinson | |
| 2001 | Bandits | Sixteenth collaboration with Barry Levinson | |
| 2004 | Envy | Seventeenth collaboration with Barry Levinson |
| Year | Film | Director | Role | Notes |
|---|---|---|---|---|
| 1961 | The Misfits | John Huston | Assistant editor | Uncredited
|
| 1962 | The Man Who Shot Liberty Valance | John Ford | ||
| 1966 | Seconds | John Frankenheimer | Assistant film editor | First collaboration with John Frankenheimer |
| 1970 | Catch-22 | Mike Nichols | Editorial assistant | First collaboration with Mike Nichols |
| 1971 | Carnal Knowledge | Second collaboration with Mike Nichols | ||
| 1973 | The Day of the Dolphin | Third collaboration with Mike Nichols |
| Year | Film | Director | Role |
|---|---|---|---|
| 2006 | Man of the Year | Barry Levinson | In memory of |
| Year | Film | Director |
|---|---|---|
| 1983 | Diner | Barry Levinson |