In this article, the topic Stuart Holmes will be explored from different perspectives, analyzing its social, cultural, political and economic implications. The impact that Stuart Holmes has had on today's society and how it has shaped the way we think and act will be examined. Likewise, historical and contemporary aspects related to Stuart Holmes will be addressed, in order to better understand its importance and relevance in today's world. Through this exhaustive analysis, we aim to offer a panoramic view of Stuart Holmes and its multiple facets, inviting reflection and debate on this topic that is so relevant today.
Stuart Holmes | |
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![]() Holmes, c. 1923 | |
Born | Joseph Liebchen March 10, 1884 Chicago, Illinois, U.S. |
Died | December 29, 1971 Hollywood, California, U.S. | (aged 87)
Other names | Stewart Holmes |
Occupation(s) | Actor, sculptor |
Years active | 1909–1964 |
Spouse |
Blanca Maynard (m. 1916) |
Stuart Holmes (born Joseph Liebchen; March 10, 1884 – December 29, 1971) was an American actor and sculptor whose career spanned seven decades. He appeared in almost 450 films between 1909 and 1964, sometimes credited as Stewart Holmes.
Holmes was born Joseph Liebchen on March 10, 1884, in Chicago, Illinois, where he was educated.
For 20 years, Holmes performed in vaudeville and on stage, with the latter often being in Shakespeare's plays. His work in the theater included a stint in Germany.
Holmes's film career began in 1911 and ended with The Man Who Shot Liberty Valance (1962).
As a sculptor, Holmes created work for at least three California United States post offices — in Oceanside (1936), Claremont (1937), and Bell (1937).
Holmes's wife, Blanca, was an actress.