Stupid (art movement)
In today's article we are going to talk about Stupid (art movement), a topic that undoubtedly generates interest and curiosity in many people. Stupid (art movement) is a topic that has been the subject of debate and study over the years, awakening conflicting opinions and generating a great impact on society. From its origins to the present, Stupid (art movement) has played an important role in different areas, influencing the way we think, act and relate to the world around us. Throughout this article, we will explore different aspects of Stupid (art movement), analyze its implications and discuss its relevance today. Get ready to immerse yourself in the fascinating world of Stupid (art movement)!
Stupid was a short-lived grouping of constructivist artists, formed in Cologne in 1919. The founding members were Willy Fick, Heinrich Hoerle, Angelika Hoerle, Anton Räderscheidt, Marta Hegemann, and Franz Wilhelm Seiwert.
The Stupid group aimed to address sociopolitical issues through an art of proletarian character. Seiwert and Räderscheidt had previously been active in the Cologne Dada scene, along with Max Ernst. Ernst later described Stupid as "a secession from Cologne Dada. As far as Hoerle and especially Seiwert were concerned, Dada's activities were aesthetically too radical and socially not concrete enough". Seiwert described the group's esthetic: "We are attempting to be so clear that everyone will be able to understand us."
Räderscheidt's studio was their base of operations, but by 1920 he had abandoned the constructivist style. The group exhibited together and issued a publication, "Stupid 1", before disbanding. Many of the members joined the Cologne Progressives group.
Notes
- ^ a b Anton Raederscheidt biography at www.raederscheidt.com
- ^ a b Dempsey 2002, p. 295.
- ^ Spies and Gabriel 1991, p. 90
- ^ Crockett 1999, p. 80.
- ^ "Brockmann, Gottfried". Museum der verlorenen Generation. Retrieved 2021-06-07.
References
- Crockett, Dennis (1999). German Post-Expressionism: the Art of the Great Disorder 1918-1924. University Park, Pa.: Pennsylvania State University Press. ISBN 0-2710-1796-1
- Dempsey, Amy (2002). Art in the Modern Era: A Guide to Schools and Movements. New York: Harry A. Abrams. ISBN 0-8109-4172-4
- Michalski, Sergiusz (1994). New Objectivity. Cologne: Benedikt Taschen. ISBN 3-8228-9650-0
- Anton Raederscheidt biography at www.raederscheidt.com
- Spies, Werner and John William Gabriel (1991). Max Ernst collages: the invention of the surrealist universe. New York: Abrams. ISBN 0-8109-3251-2
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