In this article, we will further explore Sunday's Children and its impact on today's society. Sunday's Children has been a topic of interest and discussion for many years, and its relevance remains palpable today. From its origins to its evolution over time, Sunday's Children has left a significant mark on various aspects of human life, affecting everything from interpersonal relationships to political and economic dynamics. Through this detailed analysis, we will seek to better understand Sunday's Children's role in today's world and reflect on its influence in the future.
| Sunday's Children | |
|---|---|
Swedish cover | |
| Directed by | Daniel Bergman |
| Written by | Ingmar Bergman |
| Produced by | Katinka Faragó Klas Olofsson |
| Starring | Thommy Berggren Henrik Linnros Lena Endre |
| Cinematography | Tony Forsberg |
| Edited by | Darek Hodor |
Release date |
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Running time | 118 minutes |
| Country | Sweden |
| Language | Swedish |
Sunday's Children (Swedish: Söndagsbarn) is a 1992 Swedish drama film directed by Daniel Bergman and written by Ingmar Bergman. At the 28th Guldbagge Awards, the film won the award for Best Cinematography (Tony Forsberg), and Thommy Berggren was nominated for Best Actor.[1]
Ingmar based his screenplay for Sunday's Children on the life of his father, Church of Sweden minister Erik Bergman. Author Geoffrey MacNab wrote that whereas Ingmar's recollections of Erik are damning in his 1982 film Fanny and Alexander, his 1991–92 study of his father is "far more forgiving" in The Best Intentions and Sunday's Children.[2] Critic Vincent Canby also identified Sunday's Children as "a continuation" of Fanny and Alexander and The Best Intentions.[3]