Today, Talkback Thames is a topic of great relevance and relevance in today's society. Its impact extends to different areas, from politics and economics, to culture and people's daily lives. Talkback Thames has aroused the interest and attention not only of experts in the field, but also of the general public. In this article, we will explore some fundamental aspects of Talkback Thames, analyzing its origin, evolution and its implications in contemporary society. Additionally, we will examine the influence Talkback Thames has had on different aspects of modern life, and how it has shaped the way we think and act in today's world.
The company also included, as subsidiaries, several other production companies owned by Fremantle, including the UK arm of Reg Grundy Productions; comedy specialists Alomo Productions and William G. Stewart's company Regent Productions.
The CEO of Talkback Thames was Sara Geater, who took up the post in October 2010, replacing Lorraine Heggessey, who had been CEO of Talkback Thames from 2005 to 2010. She in turn, replaced Peter Fincham, who had been CEO of Talkback from 1986 to 2003 and then of Talkback Thames from 2003. Fincham left to take over Heggessey's previous job as Controller of BBC One.
Reorganisation
In November 2011, it was announced that, from 1 January 2012, the Talkback Thames brand would be split into four different labels within the newly created Fremantle UK production arm:
^ abjoint venture with Amperwelle Studio München Programmanbietergesellschaft, Axel Springer AG, Burda, Studio Gong, m.b.t. Mediengesellschaft der bayerischen Tageszeitungen für Kabelkommunikation, Medienpool and Radio Bavaria Rundfunkprogrammgesellschaft.
^joint venture with Axel Springer, Heinrich Bauer Verlag, Lühmanndruck Harburger Zeitungsgesellschaft and Morgenpost Verlag.