Tamil prosody
In this article, we are going to explore in depth the topic of Tamil prosody and its influence on different aspects of our daily lives. From its impact on the economy to its role in society, Tamil prosody is a topic that piques the interest of experts and enthusiasts alike. Over the next few lines, we will analyze the various facets of Tamil prosody and try to shed light on some of the unknowns surrounding this phenomenon. Additionally, we will examine how Tamil prosody has evolved over time and what its impact has been on popular culture. Without a doubt, this is a fascinating topic that deserves our attention and reflection.
Tamil prosody defines several metres in six basic elements covering the various aspects of rhythm. Most classical works and many modern works are written in these metres.
Tolkappiyam represents the older tradition in Tamil prosody while yapparungalam and yapparungalakkarigai represent the later tradition. The prosodic structure of literary works from the Sangam era has to be analysed according to the Tolkappiyam. The rules given in Yapparungalakkarigai are used in the scansion of later works.
Development
The development of Tamil prosody can be broadly broken into four stages. The first stage is predominantly indigenous, pre-Sanskritic and extra-Sanskritic. It is based on a basic metrical unit named acai which forms the basis for all the important classical metres of Tamil. The second stage (c. 600 CE) marks the influence of Sanskritic prosody on the Tamil metre and ends with the overwhelming incorporation of the akshara (syllable) and matra (mora) based metrics alongside the indigenous Tamil ones.
The third stage is marked by the gradual coming together of poetry and music starting with the use of fixed melody types (paṇ) in Shaiva and Vaishnava Bhakti texts. The stage culminates with the spread of musical forms in the 17th, 18th, and early 19th-century. The final stage appears with the introduction of free verse and prose-poetry in the early 20th century.
Basic elements
The basic prosodic unit is the asai (acai) which is composed of ezhuttu (eḷuttu), the letters of the Tamil language or more accurately, the speech sounds in Tamil. Asais are the components of the metrical foot or cīr which, in turn, are the components of the adi (aṭi), a line of poetry. Other elements include todai (toṭai, alliteration) and vannam (vaṇṇam, "rhythmic effect", lit. colour or beauty).
Metres
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See also
Notes
- ^ Niklas 1988.
- ^ a b Zvelebil 1975, Appendix II, p.278.
- ^ Rajam 1992, pp. 40, 50–51.
References
- Niklas, Ulrike (1988). "Introduction to Tamil Prosody". Bulletin de l'École française d'Extrême-Orient. 77 (1): 165–227. doi:10.3406/befeo.1988.1744. ISSN 0336-1519.
- Zvelebil, K. V. (1975). Tamil literature. Leiden: Brill. ISBN 9789004041905. Retrieved 30 May 2017.
- Rajam, V. S. (1992). A reference grammar of classical Tamil poetry : (150 B.C. - pre- fifth/sixth century A.D.). Philadelphia: American Philosophical Society. ISBN 9780871691996. Retrieved 31 May 2017.