In today's world, The Captive City (1962 film) has become a topic that arouses growing interest in society. Whether due to its historical relevance, its impact on daily life or its influence in the cultural sphere, The Captive City (1962 film) has captured the attention of people of all ages and backgrounds. Since its emergence, The Captive City (1962 film) has been the subject of debate, study and research, and its importance has not diminished over time. In this article, we will explore different aspects of The Captive City (1962 film) and its meaning in the contemporary world, analyzing its evolution, its impact and its relevance today.
The Captive City | |
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Directed by | Joseph Anthony |
Based on | The Captive City by John Appleby |
Starring | |
Cinematography | Leonida Barboni |
Edited by |
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Music by | Piero Piccioni |
Distributed by | Paramount Films of Italy American International Pictures (US) |
Release dates |
Sept 1964 (USA) |
Running time | 110 minutes |
Country | Italy |
Language | English |
The Captive City (Italian: La città prigioniera) is a 1962 Italian English-language war film directed by Joseph Anthony and starring David Niven, Lea Massari and Ben Gazzara. It is based on the 1955 novel The Captive City by John Appleby. The film was released in the US as Conquered City by American International Pictures as a double feature with The Day the Earth Froze.
At the end of the Second World War, Athens is liberated by the Allies. Greek soldiers and partisans, fresh from waging guerilla warfare on the Germans join with local insurgents in an attempt to seize power and the British are finally compelled to vacate the city to encamp around its perimeter.
Meanwhile, a small group of men and women in a hotel find themselves besieged by a rebel army that wants the Nazi armaments in the basement.