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The Colour of Blood

In this article, we will explore the fascinating world of The Colour of Blood, a topic that has captured the attention of countless individuals throughout history. From its origins to its relevance today, The Colour of Blood has played a significant role in various spheres of life. Through detailed analysis, we will examine the different facets of The Colour of Blood, highlighting its impact on society, culture and science. With a retrospective and prospective look, this article seeks to provide a comprehensive understanding of The Colour of Blood and its influence on the contemporary world.

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The Colour of Blood
First UK edition
AuthorBrian Moore
LanguageEnglish
Genrepolitical thriller
PublisherJonathan Cape (UK)
McClelland & Stewart (Canada)
Dutton (US)
Publication date
1987
Publication placeUnited Kingdom
Media typePrint
Pages182
ISBN978-0-224-02513-3
OCLC18192603
Preceded byBlack Robe (1985) 
Followed byLies of Silence (1990) 

The Colour of Blood, published in 1987, is a political thriller by Northern Irish-Canadian novelist Brian Moore about Stephen Bem, a Cardinal in an unnamed East European country who is in conflict with the Roman Catholic Church hierarchy[1] and finds himself caught in the middle of an escalating revolution.

Description

Clancy Sigal, writing in The New York Times, described the novel as a study of faith under pressure: "Almost in thriller form, it is also a wise and illuminating meditation on the labyrinthine forces at work in a Roman Catholic Communist country like Poland (where Mr. Moore served with a United Nations relief group after the war)."[2]

According to critic Jo O'Donoghue, The Colour of Blood deals with the problem of how the modern Catholic Church "is to live in tandem with the secular authority".[3]

In her biography of Moore, Patricia Craig describes The Colour of Blood as a protest against intolerance, "with fanatical Catholicism presented as a destructive force. At the same time the Cardinal himself stands for another kind of Catholicism: moderate and incorruptible, and not unaccommodating of theological uncertainties".[4]

Awards

It won the Sunday Express Book of the Year award in 1987 and was also nominated for the Booker Prize.[5]

References