In this article, we will explore the fascinating world of The Colour of Blood, a topic that has captured the attention of countless individuals throughout history. From its origins to its relevance today, The Colour of Blood has played a significant role in various spheres of life. Through detailed analysis, we will examine the different facets of The Colour of Blood, highlighting its impact on society, culture and science. With a retrospective and prospective look, this article seeks to provide a comprehensive understanding of The Colour of Blood and its influence on the contemporary world.
![]() First UK edition | |
| Author | Brian Moore |
|---|---|
| Language | English |
| Genre | political thriller |
| Publisher | Jonathan Cape (UK) McClelland & Stewart (Canada) Dutton (US) |
Publication date | 1987 |
| Publication place | United Kingdom |
| Media type | |
| Pages | 182 |
| ISBN | 978-0-224-02513-3 |
| OCLC | 18192603 |
| Preceded by | Black Robe (1985) |
| Followed by | Lies of Silence (1990) |
The Colour of Blood, published in 1987, is a political thriller by Northern Irish-Canadian novelist Brian Moore about Stephen Bem, a Cardinal in an unnamed East European country who is in conflict with the Roman Catholic Church hierarchy[1] and finds himself caught in the middle of an escalating revolution.
Clancy Sigal, writing in The New York Times, described the novel as a study of faith under pressure: "Almost in thriller form, it is also a wise and illuminating meditation on the labyrinthine forces at work in a Roman Catholic Communist country like Poland (where Mr. Moore served with a United Nations relief group after the war)."[2]
According to critic Jo O'Donoghue, The Colour of Blood deals with the problem of how the modern Catholic Church "is to live in tandem with the secular authority".[3]
In her biography of Moore, Patricia Craig describes The Colour of Blood as a protest against intolerance, "with fanatical Catholicism presented as a destructive force. At the same time the Cardinal himself stands for another kind of Catholicism: moderate and incorruptible, and not unaccommodating of theological uncertainties".[4]
It won the Sunday Express Book of the Year award in 1987 and was also nominated for the Booker Prize.[5]