The Dead Wait

In today's world, The Dead Wait is a topic that has captured the attention of many. Whether due to its historical relevance, impact on current society, or its influence in the cultural sphere, The Dead Wait has generated endless debates and discussions. Over the years, it has been the subject of study and analysis by experts in different fields, which has led to a diversity of opinions and perspectives on this topic. With its presence in the daily lives of many people, The Dead Wait has proven to be a key element in shaping the world in which we live. In this article, we will fully explore the impact and importance of The Dead Wait, and how it has shaped our worldview.

The Dead Wait is a play by Paul Herzberg which tells the tale of a young South African athlete, conscripted as a soldier in the Angolan Civil War, who tries to own up to a crime on arriving back home. Partly autobiographical, it draws on Herzberg's similar experiences prior to his leaving South Africa. It was aired for a spell on BBC Radio.

Although the play stems from and has its roots in the context of the Truth and Reconciliation Commission, it does not, unlike its coevals Ubu and the Truth Commission and The Story I Am About To Tell (with which it was shown at The Laboratory in Johannesburg's Market Theatre), embrace it directly. It is also, unlike the other two, built along traditional theatrical lines.

Audiences were generally and genuinely touched by the play. "A friend was deeply moved by the Dead Wait," recalled William Kentridge, "the play about the war in Angola. He had served as a soldier in that war."

The play was staged during Autumn of 2002 under the direction of Jacob Murray, at the Royal Exchange Theatre. The Dead Wait was nominated for Best New Play and production by the Manchester Evening News awards, and in 2002 it won Best Supporting Actor.

Notes

  1. ^ Kentridge 2007, p. xv.
  2. ^ "Paul Herzberg". Archived from the original on 2011-10-02. Retrieved 2011-03-10.

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