In this article, we will explore the impact of The Death of Kevin Carter: Casualty of the Bang Bang Club on various aspects of contemporary society. From its influence on popular culture to its relevance in academia, The Death of Kevin Carter: Casualty of the Bang Bang Club has generated extensive debate and controversy that deserves to be analyzed in detail. Throughout these pages, we will analyze the different perspectives that exist around The Death of Kevin Carter: Casualty of the Bang Bang Club and how it has shaped the current landscape. Likewise, we will examine its historical role and its projection into the future, in order to understand its true scope and meaning in our daily lives.
The Death of Kevin Carter: Casualty of the Bang Bang Club | |
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Directed by | Dan Krauss |
Produced by | Dan Krauss |
Cinematography | Dan Krauss |
Production company | |
Distributed by | Cinemax |
Release date |
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Running time | 27 minutes |
Country | United States |
Language | English |
The Death of Kevin Carter: Casualty of the Bang Bang Club, also known as The Life of Kevin Carter, is a 2004 American documentary short film about the suicide of South African photojournalist Kevin Carter. The film is produced and directed by Dan Krauss as a master's project at the UC Berkeley Graduate School of Journalism. It received a nomination for the Academy Award for Documentary Short Subject.
It describes how Carter, who won the Pulitzer Prize for a photograph of an emaciated African girl being stalked by a vulture, became depressed by the carnage he witnessed as a photographer in war-torn places. In addition, he was devastated by the death of Ken Oosterbroek, a close friend and colleague who was shot and killed while working in the township of Thokoza.
In 2006, Maureen Ryan called it "provocative", and noted that it was "surprising(ly) thorough" for a film only a half-hour long, with its short running time being its only weakness.