In this article, we will address the exciting topic of The Eleventh Commandment (1933 film), which has generated great interest and debate in different areas. From its origins to the present, The Eleventh Commandment (1933 film) has been the subject of study and analysis, which has allowed us to gain a deeper understanding of its characteristics and repercussions on society. Along these lines, we will explore the different aspects related to The Eleventh Commandment (1933 film), from its impact on the economy to its effects on the social and cultural sphere. In addition, we will examine the various perspectives and opinions that have been expressed about The Eleventh Commandment (1933 film), with the aim of offering a comprehensive and enriching vision of this controversial topic.
The Eleventh Commandment | |
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Directed by | George Melford |
Written by | Brandon Fleming (play) Adele Buffington Kurt Kempler |
Produced by | M.H. Hoffman |
Starring | Marian Marsh Theodore von Eltz Alan Hale |
Cinematography | Harry Neumann Tom Galligan |
Edited by | Mildred Johnston |
Music by | Abe Meyer |
Production company | |
Distributed by | Weiss Brothers |
Release date |
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Running time | 68 minutes |
Country | United States |
Language | English |
The Eleventh Commandment is a 1933 American pre-Code drama film directed by George Melford and starring Marian Marsh, Theodore von Eltz and Alan Hale. It is based on a play by Brandon Fleming. The story had previously been made into a 1924 British silent film.
When a wealthy unmarried woman dies without heirs, her estate is entrusted to her attorney. However his partner at the law firm schemes to get his hands on the money and hires a barmaid to pretend to be a relative and claim the estate.