In the following article, we will delve into the fascinating world of The Legend of the Piave (film) and explore its many facets. From its origin and evolution to its impact on today's society, The Legend of the Piave (film) has been the subject of interest and debate over the years. Through a detailed analysis, we will address its main characteristics, its possible applications and the implications it has for different sectors of society. Furthermore, we will examine its relevance in the current context and the future perspectives it offers. Get ready to embark on a journey of discovery and innovation with The Legend of the Piave (film) as the main protagonist!
The Legend of the Piave | |
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Directed by | Riccardo Freda |
Written by | Riccardo Freda Giuseppe Mangione |
Produced by | Manlio Morelli |
Starring | Gianna Maria Canale Carlo Giustini Renato Baldini |
Cinematography | Sergio Pesce |
Edited by | Mario Serandrei |
Music by | Carlo Rustichelli |
Production company | Produzione Film Colamonici Tupini |
Distributed by | Indipendenti Regionali |
Release date |
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Running time | 95 minutes |
Country | Italy |
Language | Italian |
The Legend of the Piave (Italian: La leggenda del piave) is a 1952 Italian war melodrama film directed by Riccardo Freda and starring Gianna Maria Canale, Carlo Giustini and Renato Baldini. It takes its name from the 1918 patriotic song of the same name, although there is little connection between the song's lyrics and the plot of the film. It was filmed over four weeks, mostly at the Titanus Studios in Rome. The film's sets were designed by the art director Alfredo Montori.
During the First World War, countess Giovanna Dolfin discovers that her husband the count is in fact an opportunist who has only enlisted in the Italian Army in order to carry out black market activities. She plans to leave him but he ultimately redeems himself following the disastrous Battle of Caporetto and the subsequent fighting on the Piave River, where he is badly wounded.