In today's world, The Midnight Flyer has become a topic of great relevance and interest to a wide spectrum of society. Since its emergence, The Midnight Flyer has captured the attention of experts and enthusiasts alike, generating ongoing debate about its impact, implications, and future. From its origins to its current evolution, The Midnight Flyer has left its mark on history and continues to be a topic of constant study and discussion. In this article, we will thoroughly explore all aspects related to The Midnight Flyer, from its most basic aspects to its global implications.
| The Midnight Flyer | |
|---|---|
An advertisement for The Midnight Flyer and other films | |
| Directed by | George Marshall |
| Starring | Hoot Gibson |
| Distributed by | Universal Film Manufacturing Company |
Release date |
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Running time | 20 minutes |
| Country | United States |
| Language | Silent (English intertitles) |
The Midnight Flyer is a 1918 American short action drama film directed by George Marshall and starring Hoot Gibson.
Like many American films of the time, The Midnight Flyer was subject to cuts by city and state film censorship boards. For example, the Chicago Board of Censors required a cut, in Reel 2, of the note reading "Danny will be gone Tuesday", three scenes of young women at a bar, the intertitle "I've come to kill you", and the shooting scene.[1]