In today's article we will talk about The Monster and the Ape, a topic that has been the subject of interest and debate in different areas. Since its emergence, The Monster and the Ape has captured the attention of experts and enthusiasts alike, generating discussions and theories about its importance and possible implications. In this article, we will explore The Monster and the Ape in depth, analyzing its relevance in the current context and providing a comprehensive view that allows our readers to better understand this phenomenon. From its origins to its impact on contemporary society, we will explore every facet of The Monster and the Ape to shed light on a topic that continues to spark interest and curiosity. Join us on this journey to discover more about The Monster and the Ape!
The Monster and the Ape | |
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Directed by | Howard Bretherton |
Written by | Royal K. Cole Sherman L. Lowe |
Produced by | Rudolph C. Flothow |
Starring | Robert Lowery George Macready Ralph Morgan Carole Mathews |
Cinematography | L. William O'Connell |
Edited by | Dwight Caldwell Earl Turner |
Music by | Lee Zahler |
Distributed by | Columbia Pictures |
Release date |
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Running time | 15 chapters 234 minutes |
Country | United States |
Language | English |
The Monster and the Ape was the 26th serial released by Columbia Pictures and was released in 1945.
The Monster of the title is the "Metalogen Man", a robot created by Professor Franklin Arnold. After displaying his invention, the robot is stolen by Professor Ernst with the aid of his trained ape, Thor. Ken Morgan leads the attempts to recover the stolen robot.
The Monster and the Ape was, in the opinion of Cline, "strikingly similar to Republic's serial Mysterious Doctor Satan." However, he describes Professor Ernst as one of "the serial form's...choicest villains."