This article will address the topic of The New York Rock and Soul Revue, which has gained relevance in recent years due to its impact on various areas of society. Since its emergence, The New York Rock and Soul Revue has sparked the interest of experts and ordinary people alike, generating debates and reflections around its influence on daily life. Through this analysis, we seek to offer a broad and complete vision of The New York Rock and Soul Revue, examining its multiple facets and exploring the implications it has in the current context. By reviewing various points of view and presenting relevant information, we will seek to provide the reader with a comprehensive understanding of The New York Rock and Soul Revue and its importance today.
The New York Rock and Soul Revue | |
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Background information | |
Origin | New York City, New York, U.S. |
Genres | |
Years active | 1989 | –1993
Labels | Giant Records |
Past members |
The New York Rock and Soul Revue was a musical project supergroup that evolved out of a series of concerts produced and promoted by singer-songwriter Libby Titus at the Lone Star Roadhouse, the Spectrum and other Northeast concert venues, eventually coalescing around unofficial "band leader" Donald Fagen from 1989–1993.
The project's only release is a 1991 live album The New York Rock and Soul Revue: Live at the Beacon (Giant Records), a compilation of material recorded earlier that year from live performances at New York City's Beacon Theatre.
Fagen, the frontman and co-founder of Steely Dan, had largely focused on songwriting during that group's near decade-long hiatus in the 80s, and would go on to credit the unique blend of veteran talent Titus had assembled with reigniting his passion for performing live. It featured various musicians including Michael McDonald, Boz Scaggs and Phoebe Snow.
The project ressurected in new form as The Dukes of September in early 2010's featuring Donald Fagen, Michael McDonald and Boz Scaggs.
Year | Album details |
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1991 | Live at the Beacon
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