In this article, we will explore The Queen Was in the Parlour (film) in depth, analyzing its impact, its relevance and its implications in today's society. From its emergence to the present, The Queen Was in the Parlour (film) has captured the attention of many, generating debate and reflection in various sectors. Throughout this analysis, we will examine the key aspects that make The Queen Was in the Parlour (film) a topic of interest, as well as its possible repercussions in the social, political, economic and cultural spheres. Through a comprehensive and critical vision, we will seek to fully understand the importance of The Queen Was in the Parlour (film) in the current context, offering a complete overview that allows the reader to delve into its meaning and scope.
The Queen Was in the Parlour | |
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Directed by | Graham Cutts |
Written by | Fanny Carlsen Graham Cutts |
Produced by | Michael Balcon Hermann Fellner Arnold Pressburger Josef Somlo |
Starring | Lili Damita Louis Ralph Paul Richter Harry Liedtke |
Cinematography | Otto Kanturek |
Music by | Gustav Gold |
Production companies | |
Distributed by | Woolf & Freedman Film Service |
Release date | April 1927 |
Running time | 7,250 feet |
Countries | United Kingdom Germany |
Languages | Silent English intertitles German intertitles |
The Queen Was in the Parlour is a 1927 Anglo-German silent drama film directed by Graham Cutts and starring Lili Damita, Louis Ralph and Paul Richter. It was based on the Noël Coward play The Queen Was in the Parlour. Its German title was Die letzte Nacht.
The film was made as part of an Anglo-German co-production between Gainsborough Pictures and the leading German company UFA. It was shot at UFA's Babelsberg Studio in Berlin. It was the first of several co-productions between Gainsborough and German companies.