Togara Muzanenhamo

In today's world, Togara Muzanenhamo has become a topic of interest to both experts and the general public. With its impact on different aspects of society, Togara Muzanenhamo has captured the attention of the global community and generated widespread debate about its implications. From its emergence to its evolution over time, Togara Muzanenhamo has left an indelible mark on history and has caused a series of significant changes in various areas. In this article, we will take a closer look at the impact of Togara Muzanenhamo and explore its many facets to better understand its importance today.

Togara Muzanenhamo (born 1975) is a Zimbabwean poet born in Lusaka, Zambia, to Zimbabwean parents. He was brought up in Zimbabwe on his family's farm – 50 km (30 mi) west of the capital Harare. He attended St George's College, Harare. He studied in France and the Netherlands. After his studies he returned to Zimbabwe and worked as a journalist, then moved to an institute dedicated to the development of African screenplays. Muzanenhamo's first collection of poems, Spirit Brides, was published by Carcanet Press in 2006, and was shortlisted for the Jerwood Aldeburgh First Collection Prize in 2006.

Muzanenhamo won the African Poetry Book Fund's 2022 Luschei Prize for African Poetry for Virga, his fourth collection of poetry, which was also a Brittle Paper notable book of the year, an Irish Times Best Poetry Book of the Year, and a Poetry Society Autumn Recommendation.

References

  1. ^ "Togara Muzanenhamo". Carcanet Press. Retrieved 3 October 2012.
  2. ^ "Togara Muzanenhamo". Poetry International Rotterdam. Retrieved 6 July 2015.
  3. ^ "Togara Muzanenhamo". Granta. Retrieved 3 August 2023.
  4. ^ "Zimbabwean poet Muzanenhamo wins Luschei Prize for African Poetry". Nebraska Today. 28 February 2023. Retrieved 3 August 2023.
  5. ^ Ghosh, Kuhelika (10 March 2023). "Congrats to Zimbabwean Poet Togara Muzanenhamo for Winning the 2022 Luschei Prize for African Poetry". Brittle Paper. Retrieved 3 August 2023.


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