Tomb of the Julii

Within the framework of Tomb of the Julii, it is relevant to analyze and understand the different aspects that come together around this topic. From its origins to its influence today, Tomb of the Julii has been the subject of debate and study in various fields of knowledge. Its impact on society, its relevance in the cultural field and its evolution over time are just some of the dimensions that will be addressed in this article. Likewise, the multiple perspectives and opinions that have emerged around Tomb of the Julii will be explored, in order to provide a comprehensive and objective view of this issue.

Tomb of the Julii
Detail of the mosaic
Map
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General information
LocationVatican City
Coordinates41°54′8″N 12°27′12″E / 41.90222°N 12.45333°E / 41.90222; 12.45333

The popularly named "Tomb of the Julii" (Mausoleum "M") survives in the Vatican Necropolis beneath St. Peter's Basilica. The serendipitous discovery near the crypt has a vaulted ceiling bearing a mosaic depicting Apollo as Jesus Christ with an aureole riding in his chariot, within a framing of rinceaux of vine leaves. The mosaic is dated to the late 3rd century to early 4th century. Other mosaics in this tomb depicting Jonah and the whale, the good shepherd carrying a lamb (the kriophoros motif), and fishermen have encouraged its interpretation as a Christian tomb.

This tomb was first discovered in 1574 AD when workmen accidentally broke through the ceiling while conducting some floor alterations in the basilica. The inside was briefly explored and documented before the opening was sealed over once more.

See also

References

Specific
  1. ^ The Bones of Saint Peter, John Evangelist Walsh 1982

Further reading

  • Weitzmann, Kurt, ed., Age of spirituality: late antique and early Christian art, third to seventh century, no. 467, 1979, Metropolitan Museum of Art, New York, ISBN 9780870991790