Tubism

In today's world, Tubism is a topic of growing interest and indisputable relevance. With the advancement of technology and globalization, Tubism has become a focal point of debate in various fields, from politics and economics to culture and society. Even on a personal level, Tubism has sparked increasing interest, whether for its impact on daily life or its influence on the way we perceive the world around us. In this context, it is essential to fully explore the meaning and implications of Tubism, as well as examine its various facets and dimensions. In this article, we will delve into the fascinating world of Tubism, analyzing its importance and impact today.

Fernand Léger, The Railway Crossing, 1919, oil on canvas, 53.8 x 64.8 cm, The Art Institute of Chicago, an example of Tubism

Tubism is a term coined by the art critic Louis Vauxcelles in 1911 to describe the style of French artist Fernand Léger. Meant as derision, the term was inspired by Léger's idiosyncratic version of cubism, in which he emphasized cylindrical shapes. The style was developed by Léger in his paintings of 1909–1919, such as Nudes in the Forest (1909–10) and Soldiers Playing Cards (1917).

References

  1. ^ Néret, 1993, p. 42
  2. ^ Buck et al., 1982, 31

Bibliography

  • Néret, Gilles (1993). F. Léger. New York: BDD Illustrated Books. ISBN 0-7924-5848-6
  • Buck, Robert T., et al. (1982). Fernand Léger. New York: Abbeville. ISBN 0-89659-254-5