In the world of User:Jaredscribe/Literary Criticism there is a great variety of approaches, opinions and perspectives that can be approached from different angles. It is a topic that has captured the attention of various sectors of society, generating debates, reflections and deep analysis. In this article, we will explore the different aspects related to User:Jaredscribe/Literary Criticism, from its history and evolution to its impact today. Through different points of view and evidence, we will seek to fully understand the context surrounding User:Jaredscribe/Literary Criticism, thus allowing a more complete and enriching vision of this very relevant topic.
TODO LIST (I've not yet contributed to most of these article)
Aristotle Poetics. Establishes the eirôn as one of the main characters of comedy, along with the alazôn in his Nicomachean Ethics, where he says: "in the form of understatement, self-deprecation, and its possessor the self-deprecator" (1108a12).
Giambattista Vico, first figure of the counter-enlightenment, in the Scienzia Nuova organizes humanities into a single social science that explains why societies rise or fall.
Soren Kierkegaard, The Concept of Irony, The Aesthetic and the Ethical Stages on Life's Way
Harold Bloom the poet suffers from Anxiety of Influence, seeks to escape it through deliberate misprision, becoming a "strong poet" who reflects influence backward.
Derrida coins term differance in engagement with Husserl's phenomenology, in Speech and Phenomena. His method of Deconstruction as against the structuralism of Ferdinand de Saussure
Northrop Frye, archetypal literary criticism
Eric Auerbach Mimesis: The Representation of Reality in Western Literature
Richard Rorty writes Contingency, Irony, and Solidarity
Robert Nozick refutes ethical hedonism by means of the pleasure machine thought-experiment.