In today's world, Vilayat Hussain Khan is a topic of great relevance and interest to a wide spectrum of individuals and groups. Whether due to its impact on society, its historical relevance or its influence in the scientific field, Vilayat Hussain Khan is a topic that does not leave anyone indifferent. Over the years, this topic has generated endless debate and discussion, as well as numerous research and publications that have contributed to enriching knowledge about it. In this article, we will explore the different facets of Vilayat Hussain Khan and analyze its importance in various contexts, with the aim of offering a comprehensive and enriching vision of this impactful and intriguing topic.
Vilayat Hussain Khan | |
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Background information | |
Birth name | Vilayat Hussain Khan |
Born | 1895 |
Died | 1962 (aged 66–67) |
Genres | Indian classical music |
Occupation(s) | Composer, vocalist |
Ustad Vilayat Hussain Khan (1895–1962) was an Indian classical singer and teacher belonging to the Agra gharana (singing style).
Vilayat composed bandishes in many ragas under the pen name "Pran Piya".
Vilayat Khan received his early training in Hindustani classical music from his father Nathan Khan. After his father's death, he was trained by his uncles Kallan Khan and Mohammad Baksh. He was also trained by the renowned musician Faiyaz Khan (Aftab-e-Mausiqui) or (Sun of Music).
His students include Mogubai Kurdikar, Yashpaul, Jagannathbuwa Purohit, Menaka Shirodkar (mother of Shobha Gurtu), Ratnakant Ramnathkar, Ram Marathe, Gajananrao Joshi and Girija Kelekar. His son Yunus Hussain Khan was a prominent name in Agra Gharana as well.