On this occasion, we enter the exciting world of Vision of St. John on Patmos. Since time immemorial, Vision of St. John on Patmos has aroused the curiosity and interest of millions of people around the world. Whether due to its impact on society, its historical relevance, its influence on pop culture or its significance in the scientific field, Vision of St. John on Patmos has left an indelible mark on humanity. Throughout this article, we will explore the different aspects and perspectives surrounding Vision of St. John on Patmos, with the goal of better understanding its importance and impact on our lives. In short, we immerse ourselves in a fascinating journey that will lead us to discover everything that Vision of St. John on Patmos has to offer. Join us on this exciting adventure!
Vision of St. John the Evangelist | |
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Artist | Antonio da Correggio |
Year | 1520–1522 |
Type | Fresco |
Dimensions | 969 cm × 889 cm (381 in × 350 in) |
Location | San Giovanni Evangelista, Parma |
The Vision of St. John the Evangelist at Patmos (1520-1522) is a series of frescoes by the Italian late Renaissance artist Antonio Allegri da Correggio. It occupies the interior of the dome, and the relative pendentives, of the Benedictine church of San Giovanni Evangelista of Parma, Italy.
The centre of the cupola is occupied by an illusionistic space based on series of concentric planes indicated by the clouds, from which the apostles stretch out. Starting from the border of the dome, the clouds thin out and open to a shiny light Christ descending towards the floor of the nave. The scene is a faithful rendering of John's Book of Revelation (I,7). The figure of St. John leans from the drum of the dome. This part of the fresco was hidden to the people present in the church, but visible to the monks in the choir and under the dome.
In the four pendentives Correggio painted, coupled, the Four Evangelists and the Four Doctors of the Church. These are:
and, respectively,