In this article we are going to talk about Vivek Harshan, a topic that has been the subject of interest and debate in recent years. Vivek Harshan is an issue that affects people of all ages, genders and cultures, and its relevance crosses different fields such as health, economics, politics and society in general. Throughout history, Vivek Harshan has played a fundamental role in people's lives and its study and understanding are crucial to understanding the world in which we live. Through this article, we will explore different aspects of Vivek Harshan, from its origins to its impact today, with the aim of providing a comprehensive view on this relevant topic.
Vivek Harshan | |
|---|---|
| Born | Vivek Harshan 28 May 1981 |
| Occupation | Film Editor |
| Years active | 2007–present |
Vivek Harshan (born 28 May 1981) is an Indian film editor who works predominantly in Malayalam and Tamil films. He has frequently collaborated with Amal Neerad, M. Rajesh, and Karthik Subbaraj since the beginning of their careers. Big B (2007), Jigarthanda (2014), Iyobinte Pusthakam (2014), , Varathan (2018), Bheeshma Parvam (2022), Aavesham (2024), Manjummel Boys (2024) and Sikandar (2025) are some of his notable works. He won the National Film Award for Best Editing in 2014 for Jigarthanda.[1]
After assisting editor Anthony, Harshan started working as an independent editor with the Malayalam film Red Salute (2006).[2] He got break in his second film Big B (2007).[citation needed] His work on the 2014 Tamil film Jigarthanda got him the National Award for that year.[3]