In this article, we will explore in detail Wazoo (album), a topic that has had a significant impact on various aspects of contemporary society. Since its emergence, Wazoo (album) has captured the attention of academics, experts in the field and the general public, generating debate and interest around its implications. Over the years, Wazoo (album) has evolved and acquired new nuances, becoming a reference point that has marked a before and after in different areas. Through a comprehensive analysis, we will examine the different dimensions of Wazoo (album), from its origin to its relevance today, as well as its possible future focus. In addition, we will address the various perspectives and opinions that have emerged around this phenomenon, with the aim of providing a comprehensive and enriching vision of Wazoo (album).
Wazoo | ||||
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Live album by | ||||
Released | October 30, 2007 | |||
Recorded | September 24, 1972 | |||
Venue | Music Hall (Boston, Massachusetts) | |||
Genre | ||||
Length | 96:05 51:35 (Disc 1) 44:30 (Disc 2) | |||
Label | Vaulternative | |||
Producer | Frank Zappa | |||
Frank Zappa chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | |
Rolling Stone |
Wazoo is a live album by Frank Zappa, posthumously released in October 2007 as a 2-CD set consisting of the complete concert given by "The Mothers of Invention/Hot Rats/Grand Wazoo" 20-piece big band on September 24, 1972 at the Music Hall, Boston, Massachusetts, United States. It is the third installment on the Vaulternative Records label that is dedicated to the posthumous release of complete Zappa concerts, following the releases of FZ:OZ (2002) and Buffalo (2007).
It is the last concert of a brief series of shows that marked Zappa's return to the stage after his forced temporary retirement from the touring scene due to the injuries he suffered from an assault during a concert at the Rainbow Theatre in London on December 10, 1971.
The material showcases Zappa's endeavors in jazz-based music, and many of the compositions were featured on the 1972 studio albums The Grand Wazoo and Waka/Jawaka and on the 1978 studio album Studio Tan. Rehearsals leading to these albums and concerts are documented on Joe's Domage (2004), while Imaginary Diseases (2006) presents live recordings with a stripped-down version of the big band named 'Petit Wazoo'.
The album cover is a visual parody of Slave Market with the Disappearing Bust of Voltaire, by Salvador Dalí. Frank Zappa's face replaces that of Voltaire's in the original, among other changes.
All tracks written, composed and arranged by Frank Zappa. At the concert, "Big Swifty" was played between "The Adventures of Greggery Peccary" and "Penis Dimension".
No. | Title | Length |
---|---|---|
1. | "Intro Intros" | 3:19 |
2. | "The Grand Wazoo (Think It Over)" | 21:17 |
3. | "Approximate" | 14:35 |
4. | "Big Swifty" | 11:49 |
No. | Title | Length |
---|---|---|
1. | "Ulterior Motive" | 3:19 |
2. | "The Adventures of Greggery Peccary
| 32:37 |
3. | "Penis Dimension" | 3:35 |
4. | "Variant I Processional March" | 3:28 |
The Mothers of Invention / Hot Rats / Grand Wazoo: