In this article, we will delve into the fascinating world of You Can't Get a Man with a Gun_, exploring its many facets and its relevance in today's society. Throughout history, You Can't Get a Man with a Gun_ has played a fundamental role in multiple aspects of human life, from its impact on culture and art, to its influence on economics and politics. Through a detailed and exhaustive analysis, we aim to shed light on You Can't Get a Man with a Gun_ and its importance in the contemporary world, offering new perspectives and approaches to understand its current relevance.
| "You Can't Get a Man with a Gun" | |
|---|---|
| Song by Ethel Merman | |
| from the album Annie Get Your Gun (musical) | |
| Released | 1946 |
| Genre | |
| Length | 3:13 |
| Songwriter | Irving Berlin |
"You Can't Get a Man with a Gun" is a song from the 1946 musical Annie Get Your Gun, written by Irving Berlin. It was originally performed by Ethel Merman.[1]
In the song, Annie Oakley sings about how a girl with talent as a sharpshooter nevertheless finds that her abilities do not help her attract men. She introduces herself with: "I'm quick on the trigger/with targets not much bigger/than a pinpoint I'm number one." The song is humorous in that she imagines different scenarios in which shooting a man will not make him fall in love with her, e.g. "A man may be hot/but he's not/when he's shot/oh, you can't get a man with a gun!" and "But you can't shoot a lover,/and use him for a cover/oh, you can't get a man with a gun!"