In today's article we are going to talk about Zoblazo, a topic that has captured the attention of many people in recent times. Zoblazo is a topic that arouses curiosity and interest in a large number of people due to its relevance in today's society. Throughout this article we will explore different aspects related to Zoblazo, from its origin and evolution to its impact on everyday life. In addition, we will analyze the opinions of experts in the field and present relevant data that will help to better understand Zoblazo and its importance today. Without a doubt, Zoblazo is a topic that deserves to be explored in depth to understand its influence in different areas of modern life.
This article needs additional citations for verification. (September 2021) |
| Zoblazo | |
|---|---|
| Stylistic origins | dance music, zouk |
| Cultural origins | 1990s Côte d'Ivoire |
| Typical instruments | Varies |
| Regional scenes | |
| Côte d'Ivoire | |
| Local scenes | |
| Abidjan | |
Zoblazo is a musical style from Abidjan, Côte d'Ivoire, created in the early 1990s. It is a cosmopolitan popular dance music with simple up-tempo rhythm and high tech instrumentation and contains a mixture of traditional dance rhythms from southern Côte d'Ivoire.
Zoblazo's best known exponent is Freddy Meiway, who has released a series of Zoblazo records starting in 1989 with the record "Ayibebou" with his group Zo Gang. An ethnic N'Zema from Grand Bassam, Meiway integrated folk rhythms from Côte d'Ivoire and Ghana with and is danced to with a white handkerchief. From his second album in 1990 entitled 200% Zoblazo, Meiway became the second best known Ivorian and N'zema musician after Alpha Blondy, and has released a steady stream of records, the most recent 9ème commandement –900% zoblazo released in 2007.