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Bibliographia addita
Christensen, Thomas Street, et Peter Dejans. 2007. Towards Tonality Aspects of Baroque Music Theory. Leuven: Leuven University Press. ISBN 978-90-5867-587-3.
Cyr, Mary. 2008. Essays on the Performance of Baroque Music Opera and Chamber Music in France and England. Variorum collected studies series, 899. Aldershot Angliae: Ashgate. ISBN 978-0-7546-5926-6.
Foreman, Edward. 2006. A Bel Canto Method, or, How to Sing Italian Baroque Music Correctly Based on the Primary Sources. Twentieth century masterworks on singing, 2. Minneapole: Pro Musica Press. ISBN 1-887117-18-0.
Schubert, Peter, et Christoph Neidhöfer. 2006. Baroque Counterpoint. Upper Saddle River, Novae Caesareae: Pearson Prentice Hall ISBN 0-13-183442-8.
Schulenberg, David. 2001. Music of the Baroque. Novi Eboraci: Oxford University Press. ISBN 0-19-512232-1.
Stauffer, George B. 2006. The World of Baroque Music New Perspectives. Bloomington: Indiana University Press. ISBN 0-253-34798-X.
Strunk, Oliver. 1952. Source Readings in Music History: From Classical Antiquity to the Romantic Era. Londinii: Faber & Faber.