A Token of My Extreme
In today's world, A Token of My Extreme has gained great importance in our society. Whether due to its impact on popular culture, its relevance in the historical field, its influence on politics or its importance in the world of entertainment, A Token of My Extreme has become a topic of interest for a large number of people around the world. . Over the years, A Token of My Extreme has generated numerous debates and discussions, as well as aroused the interest of experts in various disciplines. In this article, we will explore in detail the different aspects of A Token of My Extreme and its impact on our current society.
| "A Token of My Extreme" | |
|---|---|
| Song by Frank Zappa | |
| from the album Joe's Garage Acts II & III | |
| Released | November 19, 1979 |
| Recorded | Village Recorders, LA Spring 1979 |
| Genre | |
| Length | 5:30 |
| Label | Zappa Records |
| Songwriter(s) | Frank Zappa |
| Producer(s) | Frank Zappa |
"A Token of My Extreme", by Frank Zappa, is a song on the 1979 concept album Joe's Garage . The main character from this triple-album rock-opera has his mind messed-up by Lucille then "finally does something smart" and "pays a lot of money to L. Ron Hoover and the First Church of Appliantology."
Plot
Appliantology is shown as an insincere religion, which cooperates with a "malevolent totalitarian regime." This is an apparent reference to Scientology and its founder L. Ron Hubbard. Joe, doubting his sanity, asks 'mystical advisor' L. Ron Hoover what his problem is and is told that he is "a latent appliance-fetishist." Joe asks if it is time "to come out of the closet," and is told that he should "go into the closet". "The Closet" turns out to be a bar in Los Angeles, where he can have "a lot of fun" achieving sexual gratification using machines. The "machines" at The Closet are household appliances with marital aids stuck all over them. Joe is informed that the best appliances speak foreign languages, which leads to the next song, "Stick It Out". This song derives from another piece called "Tush Tush Tush" from 1973.
Analysis
This song was analyzed in Zappa, and also in Academy Zappa. In their study of Zappa published in the journal Studies in Musical Theatre, Carr and Hand mention that the song is "a satire of L. Ron Hubbard (1911–86) and the Church of Scientology". They described the work as "an ironic precursor" to Carlton's Return to the Forbidden Planet.
See also
References
- ^ a b c d Carr, Paul; Richard J. Hand (December 2006). "Frank Zappa and musical theatre". Studies in Musical Theatre. 1 (1): 41–56. doi:10.1386/smt.1.1.41_1. ISSN 1750-3159.
- ^ a b c Prince, Michael J. (Spring 2005). "The Science Fiction Protocols of Frank Zappa". Chapter&Verse. PopMatters Media, Inc.
- ^ Staff (January 1, 1989). "Frank Zappa on CD (and LP), Part I-III". Stereophile Magazine. pp. Vol. 12., No. 1.
- ^ a b Miles, Barry (2004). Zappa. Grove Press. p. 431. ISBN 0-8021-1783-X.
- ^ Watson, Ben Leslie (2005). Academy Zappa: Proceedings of the First International Conference of Esemplastic Zappology. SAF Publishing Ltd. pp. 171–187. ISBN 0-946719-79-9.
