In this article, we will explore the impact of Afternoon of the Bulls on modern society. Since its emergence, Afternoon of the Bulls has played a fundamental role in various areas, influencing the way we live, work and relate to each other. Through a comprehensive analysis, we will examine how Afternoon of the Bulls has evolved over time, as well as its relevance in the current context. In addition, we will delve into the implications that Afternoon of the Bulls has on our daily lives, from its impact on the economy to its influence on culture and politics. This article seeks to provide a comprehensive view of Afternoon of the Bulls and its importance in the contemporary world.
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Afternoon of the Bulls | |
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Directed by | Ladislao Vajda |
Written by | Julio Coll José Santugini Manuel Tamayo |
Starring | Manuel Arbó |
Cinematography | Heinrich Gärtner |
Edited by | Julio Peña |
Release date |
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Running time | 75 minutes |
Country | Spain |
Language | Spanish |
Afternoon of the Bulls (Spanish: Tarde de toros) is a 1956 Spanish drama film directed by Ladislao Vajda. It was entered into the 1956 Cannes Film Festival. The film was selected as the Spanish entry for the Best Foreign Language Film at the 29th Academy Awards, but was not accepted as a nominee.
In the bullring of Las Ventas, in Madrid, four parallel stories are shown in the film: the senior bullfighter Ricardo Puente breaks up with his lover Paloma; the winner of the day, Juan Carmona is barely hurt by a bull because he is haunted with the notice of a new baby; Rondeño II is afraid of the bulls and afraid of the wedding with his girlfriend Ana María; finally, an innocent amateur torero dies on the sand.