Today, Mama Turns 100 continues to be a topic of great relevance and interest to a large number of people around the world. For decades, Mama Turns 100 has been the subject of debates, research and discussions in various areas of knowledge, as well as in society in general. Its impact and significance make it a topic of constant study and reflection, which continues to generate new perspectives, discoveries and points of view. In this article, we will explore different aspects of Mama Turns 100, its influence in various areas and its importance today.
Mamá cumple 100 años | |
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Directed by | Carlos Saura |
Written by | Carlos Saura Rafael Azcona |
Produced by | Elías Querejeta |
Starring | Geraldine Chaplin Fernando Fernán Gómez Rafaela Aparicio Amparo Muñoz |
Cinematography | Luis Cuadrado |
Edited by | Pablo González del Amo |
Music by | Luis de Pablo |
Release date |
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Running time | 100 minutes |
Country | Spain |
Language | Spanish |
Mamá cumple cien años is a 1979 Spanish comedy film written and directed by Carlos Saura. The film is a comedy sequel of the drama Ana and the Wolves directed by Saura in 1973. It was nominated for the Academy Award for Best Foreign Language Film at the 52nd Academy Awards.
In celebration of Mama's 100th birthday, a Spanish extended family gathers at their ancestral country estate. Among the attendees is Ana, married to Antonio, who once worked as a nanny here many years ago. Beneath the veneer of cordiality and politeness, bitter realities simmer, as significant changes have occurred within the family: José died three years prior, Juan has parted ways with his wife Luchi, and only Fernando, an enthusiast of kite-flying, remains with his elderly mother. The young girls Ana once cared for have long since transitioned out of childhood.
As an observer, Ana discerns that this family has disintegrated into its individual fragments, with the forsaken Luchi having misappropriated the funds of the plump and scarcely mobile matriarch. Upon the arrival of her ex-husband Juan for the celebratory occasion, the deepest fissures among the family members are laid bare: Together with Fernando and Luchi, Juan plots nothing short of the matriarch's demise to gain access to her inheritance. And Ana, the onlooker and former governess, will soon find herself among the mourners, as her husband Antonio embarks on a dalliance with Natalia, another member of the family.
Filmed in 1978 in Torrelodonos, the movie premiered on September 17, 1979, at the San Sebastián Film Festival.
Carlos Aguilar remarked that this film revisits the character dynamics of Ana and the Wolves, albeit with a chosen "tragicomic perspective."
According to Lexikon des internationalen Films: "Saura reflects the ongoing process of change in Spain's state and society in a manner reminiscent of a continuation of his film Ana and the Wolves. Although imbued with satire, it portrays a relaxed, almost affectionate attachment to its subject. Despite the usual symbolism, it remains a relatively accessible film by the Spanish director."
The film garnered significant attention both domestically and internationally. In addition to an Oscar nomination for Best Foreign Language Film, Mama Turns 100 secured the CEC Award from the Spanish Authors Association Círculo de Escritores Cinematográficos, the Sant Jordi Film Award for lead actress Rafaela Aparicio, and a Special Jury Prize for director Saura at the San Sebastián Film Festival.