In today's article we are going to talk about Kinrande, a topic that has generated great interest in recent times. Kinrande is something that affects many people in different aspects of their lives, whether on a personal, professional or even social level. It is a topic that deserves our attention and analysis, since its impact can be significant in our daily lives. Throughout this article we will explore different aspects of Kinrande, from its origin to its consequences, including its possible solutions or ways to address it. We hope this article gives you a deeper insight into Kinrande and helps you better understand its relevance in today's society.
Kinrande (金襴手, literally "gold brocade") is a Japanese porcelain style where gold is applied on the surface and there are a number of variations. It originated from China during the Jiajing (1521–1566) and Wanli (1573–1620) periods of the Ming dynasty.
In the late Edo period, Arita ware, Imari ware, Kotō ware, Kutani ware, Kyō ware and Satsuma ware had pieces in this style. Imari pieces in kinrande style were particularly popular in Baroque era Europe. King Augustus II the Strong of Poland amongst the foremost collectors.
Typically, gold was added to Chinese wucai (五彩) palette, called gosai in Japanese, which had a white base with red, green, and yellow motifs. Other types of kinrande include:
One of the artists specialising in kinrande was Jiro Ono (小野次郎, Ono Jiro) (1953–2010), the second son of Hakuko Ono (小野珀子, Ono Hakuko), herself a renowned artist of yūri-kinsai.
Media related to Kinrande at Wikimedia Commons