In this article, we will explore the various facets of Meke, analyzing its impact on today's society and its relevance in different contexts. Meke has been the subject of discussion and debate throughout history, being a topic of interest to a wide range of people, from experts in the field to the general public. Over the years, Meke has evolved and adapted to the changing realities of the modern world, playing a fundamental role in the way we understand and confront various challenges. Through a detailed and exhaustive examination of Meke, we seek to shed light on its less explored dimensions and offer new perspectives that enrich the debate around this topic.
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Meke, in the Fijian language, is all traditional style of dance. It is a cognate of the words "maka" (Rotuman) and "mele" in Hawaiian. It is typically performed during celebrations and festivals. Traditionally the dances that comprise the meke art form are performed by groups of men only or women only, however, foreign influences, such as the male/female Tongan ma'ulu'ulu becoming the Fijian vakamalolo, are evident throughout.
Friedrich Ratzel in his 1896 publication The History of Mankind, writes about the Fijian meke as both song and dance, which only a few are given to invent and which those who do, allege that they do so in the spirit world where divine beings teach them the song and the appropriate dance. He wrote that the ideal of the Fijian poet is poetry with every verse ending with the same vowel of regular measure, which in practice is often achieved with poetic license through the use of arbitrary abbreviations or lengthenings, and omission of articles.