This article will address the topic of Mr. Joy, which is of great relevance today. Mr. Joy has captured the attention of many due to its impact on various aspects of society, culture and the world in general. Over the years, there has been growing interest and debate surrounding Mr. Joy, leading to further study and research on this topic. This article will analyze different perspectives, data and opinions in order to provide a broad and complete overview of Mr. Joy.
| Mr. Joy | ||||
|---|---|---|---|---|
| Studio album by | ||||
| Released | 1968 | |||
| Recorded | May 10, 11 & 12, 1968 | |||
| Studio | Audio Recording Inc. Seattle and the University of Washington, Seattle | |||
| Genre | Jazz | |||
| Length | 40:51 | |||
| Label | Limelight LS 86060 | |||
| Paul Bley chronology | ||||
| ||||
Mr. Joy is an album led by jazz pianist Paul Bley recorded in the studio and in concert in Seattle in 1968 and released on the Limelight label.[1]
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic | |
| Tom Hull – on the Web | A−[3] |
Allmusic awarded the album 4 stars stating: "in the case of this particular recording the more concise performances have proven to be like mother of pearl found on the beach".[2]