In today's article we will delve into the fascinating world of Oiseaux exotiques, exploring its origins, its impact on today's society and its possible implications for the future. Since time immemorial, Oiseaux exotiques has captivated the attention of people of all ages and cultures, becoming a topic of constant debate and reflection. Throughout history, Oiseaux exotiques has evolved and adapted to social, political and technological changes, leaving an indelible mark on humanity. Through this article, we will discover more about Oiseaux exotiques and its many facets, as well as the perspectives of experts and scholars that will help us understand its importance in the contemporary world. Get ready to immerse yourself in a journey of knowledge and discovery about Oiseaux exotiques!
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Oiseaux exotiques (Exotic birds) is a piece for piano and small orchestra by Olivier Messiaen. It was written between 5 October 1953 and 3 January 1956 and was commissioned by Pierre Boulez. It is dedicated to the pianist Yvonne Loriod, who later became the composer's wife.
This piece was first performed at the Théâtre du Petit Marigny by Yvonne Loriod and the ensemble Domaine musical, conducted by Rudolf Alberth.
Piano, piccolo, 2 flutes, oboe, 2 B♭ clarinets, clarinet in E-flat, bass clarinet, bassoon, 2 French horns, trumpet, and 6 percussionists playing glockenspiel, xylophone, chimes, cowbell, three gongs, snare drum, tam-tam, temple blocks, and wood block.
The birdsongs in this piece are from Asia and the Americas: the southern hill myna, the golden-fronted leafbird, the Baltimore oriole, the greater prairie chicken, the northern mockingbird, the catbird, the Indian robin, the white-crested laughingthrush, the american robin (entrusted to the two clarinets), the Swainson's thrush, the hermit thrush, the red-whiskered bulbul and the wood thrush.
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Decî-Tâlas of ancient India, Cârngadeva system: Nihcankalîla, Gajalîla, Laksmîca, Caccarî, Candrakâla, Dhenkî, Gajajhampa, and karnâtic theory: Matsya-Sankirna, Triputa-Miśra, Matsya-Tiśra, Atatâla-Cundh.
This section may be confusing or unclear to readers. (November 2022) |
Composed feet by the metre: Typistlo-Epitrite; verses by the metre: lambelegiac, logaedic verses: Asclepiad, Saphique, Glyconic, Aristophanian, Phalaean, Peregrinean.
The piece lasts about 16 minutes.
Michael Thompson (French horn), London Sinfonietta (Orchestra), Paul Crossley (piano) (+ Des Canyons aux étoiles..., Couleurs de la Cité céleste) CBS Records, 1989, Angelin Chang (piano) and Cleveland Chamber Symphony) New European Recordings, won the 2007 GRAMMY for Best Instrumental Soloist(s) Performance (with orchestra).