Piano Sonata in A minor, D 537 (Schubert)
In today's world, Piano Sonata in A minor, D 537 (Schubert) is a topic of great interest and relevance. For a long time, Piano Sonata in A minor, D 537 (Schubert) has captured the attention of people of all ages and social classes, generating debates, research and in-depth analysis in different areas. Whether due to its impact on society, its influence on popular culture, its importance in history, or any other reason, Piano Sonata in A minor, D 537 (Schubert) has managed to position itself as a fundamental topic in current discourse. In this article, we will explore different aspects related to Piano Sonata in A minor, D 537 (Schubert), analyzing its impact, implications and relevance today.
The Piano Sonata in A minor, D 537, of Franz Schubert is a sonata for solo piano, composed in March 1817.
Movements
I. Allegro ma non troppo
A minor. In sonata form. The exposition modulates to the submediant, F major, rather than to the usual mediant, C major. The recapitulation begins in the subdominant, D minor, and most of the recapitulation's second group is in A major before a short coda returns to the minor mode for the movement's ending.
II. Allegretto quasi andantino
E major. A five-part rondo with an unconventional key scheme as follows:
A (E major) → B (C major) → A (F major) → C (D minor) → A (E major)
Schubert also composes brief transitions at the ends of each episode—that between the B section and the medial A section features a small amount of the B section's material in F major (the medial A section's key), while that between the C section and the final A section modulates from the C section's D minor up a tone to E minor, and then sits on its dominant for a few measures before the return to the movement's tonic key with the final A section. The movement ends with a short coda that is completely diatonic.
III. Allegro vivace
A minor. In sonata form without development. The exposition begins with A minor and modulates to E major. The recapitulation begins in E minor and moves to A major, in which the movement ends.
The work takes approximately 20 minutes to perform.[citation needed] Daniel Coren has summarised the nature of the recapitulation in the last movement of this sonata. Harald Krebs has noted that Schubert reworked the opening of the second movement of the D. 537 sonata into the opening theme of the finale of the A major piano sonata, D. 959.
In popular culture
The piano sonata is featured in the 1985 film adaptation of E. M. Forster's A Room with a View, as protagonist Lucy Honeychurch is practicing piano.
Notes
- ^ Newbould, Brian (1999). Schubert: The Music and the Man. University of California Press. p. 100. ISBN 9780520219571.
- ^ Coren, Daniel (1974). "Ambiguity in Schubert's Recapitulations". The Musical Quarterly. LX (4): 568–582. doi:10.1093/mq/LX.4.568.
- ^ Krebs, Harald (Autumn 2003). "Review of Charles Fisk's Returning Cycles: Contexts for the Interpretation of Schubert's Impromptus and Last Sonatas". Music Theory Spectrum. 25 (2): 388–400. doi:10.1525/mts.2003.25.2.388.
References
- Tirimo, Martino. Schubert: The Complete Piano Sonatas. Vienna: Wiener Urtext Edition, 1997.
External links
- Piano Sonata D. 537: Scores at the International Music Score Library Project
| National | |
|---|---|
| Other | |
