This article will address the topic of Tsifteteli, which has gained relevance in recent times due to its impact on various aspects of society. Tsifteteli has been the subject of debate, analysis and discussion in different areas, generating conflicting opinions and awakening the interest of academics, specialists and the general public. In this sense, it is imperative to fully explore the implications and consequences that Tsifteteli entails, as well as reflect on possible solutions and actions that could mitigate its influence. Through a multidisciplinary approach, the various aspects related to Tsifteteli will be delved into, offering a comprehensive and critical vision that allows us to understand its scope and current context.
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Tsifteteli (Greek: τσιφτετέλι) or Çiftetelli, is a rhythm and dance of Anatolia and the Balkans. In Turkish the word means "double stringed", taken from the violin playing style that is practiced in this kind of music. There are suggestions that the dance existed in ancient Greece, known as the Aristophanic dance Cordax, even though such a thesis is not fully evident. Furthermore, it is historically never spotted in Greece before the Greek-Turkish population exchange of 1923, and no dance in native Greek tradition shows similarities with the specific dance. Nowadays it is to be found not only in Greece and Turkey, but also in the whole of the Southeastern Mediterranean region..