Hedylogos

In this article, we will explore and analyze the impact of Hedylogos in different contexts and scopes. Since its emergence, Hedylogos has generated a series of debates and controversies that have permeated various social and cultural spheres. Throughout history, Hedylogos has left an indelible mark on people's lives, their thoughts and their actions. We will delve into the most relevant aspects, examining how Hedylogos has shaped and transformed the world we inhabit, as well as the multiple interpretations it has given rise to. This article seeks to offer a broad and multidisciplinary perspective on Hedylogos, inviting the reader to reflect on its meaning and influence on current society.

Hedylogos and Pothos proceeding in front of a chariot drawn by Aphrodite. Attic red figure cylindrical pyxis, c. 420-400 BC

In Greek Mythology, Hedylogos (Ancient Greek: Ἡδυλόγος, romanizedHēdylógos, lit.'sweet-voiced, flattering') was the god and personification of sweet-talk and flattery. He was part of Aphrodite's procession, and one of the seven Erotes, a group of winged love deities, along with Eros, Anteros, Hermaphroditus, Himeros, Hymen, and Pothos.

Although not mentioned in any existing literature, he is depicted on ancient Greek vase paintings. A surviving example on a red-figure pyxis from the late 5th century BC shows Hedylogos alongside his brother Pothos drawing the chariot of Aphrodite.

To the Romans he was known by his latinized name Hedylogus. His name, from ἡδύς (hēdys, 'sweet') and λόγος (logos, 'speech') means somebody who speaks gently, softly mesmerizing people with his words. Apart from ἡδῠ́λόγος there are several other Greek words which describe this unique ability: μελιστάλακτος (melistálaktos) and μελισταγής (melistagḗs), which can be translated as mellifluous.

References

  • Harvey Alan Shapiro, Personifications in Greek art, Akanthus 1993; ISBN 9783905083057

Sources

External links


  1. ^ Holzman 2022, Chapter 13; Love: The Erotes.